An Overdose Of Fingal Cocoa: Hall & Oates. Hall& Oates- Livetime- 1. RCARecorded in Hershey, near Pottstown, Pennsylvania, where Hall had lived as a teenager. Daryl is notorious for asking the crowd during the recording , . This is a great concert from two of the masters of . Hall & Oates' music was remarkably well constructed and produced; at their best, their songs were filled with strong hooks and melodies that adhered to soul traditions without being a slave to them by incorporating elements of new wave and hard rock. Daryl Hall began performing professionally while he was a student at Temple University. In 1. 96. 6, he recorded a single with Kenny Gamble and the Romeos; the group featured Gamble, Leon Huff, and Thom Bell, who would all become the architects of Philly soul. During this time, Hall frequently appeared on sessions for Gamble and Huff. In 1. 96. 7, Hall met John Oates, a fellow Temple University student. Oates was leading his own soul band at the time. The two students realized they had similar tastes and began performing together in an array of R& B and doo wop groups. By 1. 96. 8, the duo had parted ways, as Oates transferred schools and Hall formed the soft rock band Gulliver; the group released one album on Elektra in the late '6. After Gulliver's breakup, Hall concentrated on session work again, appearing as a backup vocalist for the Stylistics, the Delfonics, and the Intruders, among others. Oates returned to Philadelphia in 1. Hall began writing folk- oriented songs and performing together. Eventually they came to the attention of Tommy Mottola, who quickly became their manager, securing the duo a contract with Atlantic Records. On their first records — Whole Oates (1. Darryl hall and john oates live at the troubadour rapidshare free download 1. Hall Oates Live at the Troubadour rar. Download daryl hall e john oates everytime you go away apollo at the live mp3 4shared daryl hall amp john oates my girl apollo at. Abandoned Luncheonette (1. War Babies (1. 97. Arif Mardin and Todd Rundgren and removing much of their folk influences. At the beginning of 1. Philadelphia to New York. During this period, they only managed one hit — the number 6.
After they moved to RCA in 1. Top Ten single with . Released in the summer of 1. Bigger than the Both of Us was only moderately successful upon its release. The record took off in early 1. Although they had several minor hits between 1. Hall & Oates released at the end of the decade were not as successful as their mid- '7. Nevertheless, they were more adventurous, incorporating more rock elements into their blue- eyed soul. The combination would finally pay off in late 1. Voices, the album that marked the beginning of Hall & Oates' greatest commercial and artistic success. The first single from Voices, a cover of the Righteous Brothers' . They quickly released Private Eyes in the summer of 1. H2. 0 followed in 1. Top Ten hits — the number two . Released in October of 1. Big Bam Boom expanded their number of gold and platinum awards, selling over two million copies and launching four Top 4. After the lukewarm reception for Daryl Hall's 1. Three Hearts in the Happy Ending Machine, the duo regrouped to release 1. Ooh Yeah!, their first record for Arista. However, none of the album's other singles broke the Top 2. Change of Season, released in 1. Although the record went gold, it only featured one Top 4. The act achieved its greatest fame in the late 1. They specialized in a fusion of rock and roll and rhythm and blues styles which they dubbed . They are best known for their six #1 hits on the Billboard Hot 1. They last reached the pop top forty in 1. They have continued to record and tour with some success. In total, the act had thirty- four singles chart on the US Billboard Hot 1. As of 2. 00. 6, Hall and Oates have seven RIAA platinum albums along with six RIAA gold albums. A greatest hits compilation was released in 2. Bertelsmann Music Group. The BMG collection was expanded in 2. BMG merged with Sony. In 2. 00. 3, Daryl Hall and John Oates were voted into the Songwriter's Hall of Fame. Forty years after they first met in Philadelphia - - and twenty years after they became the single most successful duo of all time - - Daryl Hall & John Oates continue to record and perform together their distinctive and enduring blend of soulful sounds. Starting out as two devoted disciples of earlier soul greats, Hall & Oates are soul survivors in their own right. They have become such musical influences on some of today’s popular artists that the September 2. Spin Magazine’s headline read: “Why Hall & Oates are the New Velvet Underground”. Their artistic fan base includes Rob Thomas, John Mayer, Brandon Flowers of the Killers, Ben Gibbard of Death Cab for Cutie and MTV’s newest hipsters Gym Class Heroes who dubbed their tour “Daryl Hall for President Tour 2. Daryl Hall & John Oates first met back at Philadedelphia's Adelphi Ballroom in 1. Both were attending Temple University, but they first discovered their shared passion for soul music during a show at which both of their groups - - The Temptones and The Masters, respectively - - were on a record hop bill with a number of then nationally known soul acts like the 5 Stairsteps and Howard Tate. When a gang fight broke out inside the Ballroom, the pair met each other in a service elevator while trying to get out. Hall had already become a fixture in the Philly soul scene, recording a single with Kenny Gamble and the Romeos featuring future Gamble, Leon Huff and Thom Bell. Hall – now considered one of the great soul singers of his generation - - became a prot. Oates too had performed with a number of R& B and doo- wop groups on the Philadelphia scene, and recorded a single with famed Philly soul arranger Bobby Martin. In the early 1. 97. Hall & Oates began performing as a duo, and a year later - - with the help of manager Tommy Mottola - - they signed to the legendary soul label Atlantic Records. The group’s major label debut Whole Oats - - produced by legendary producer Arif Mardin who had already worked with The Rascals and Dusty Springfield - - combined the group’s soul and folk influences, but failed to make a significant commercial impact. That breakthrough would come with the duo’s following effort, 1. Abandoned Luncheonette, still considered one of the group’s finest albums by many of their admirers. Abandoned Luncheonette’s acoustic soul sound was groundbreaking and widely acclaimed, and the album’s stunning standout track “She’s Gone” would become a #1 R& B smash on the Billboard Magazine charts for Tavares in 1. Hall & Oates when it was re- released in 1. Hall & Oates took a rather dramatic turn with their third album, 1. War Babies, a rockier and more experimental song cycle recorded with producer Todd Rundgren. Leaving Atlantic, Hall & Oates signed with RCA Records and in 1. Daryl Hall and John Oates (also unofficially known to fans as The Silver Album) which yielded the duo’s first critical and commercial smash “Sara Smile” . The group’s 1. 97. Bigger Than Both Of Us yielded the infectious “Rich Girl,” the group’s first #1 on the Pop Singles chart, and a track that once again artfully combining their rock and soul influences into a cohesive whole. The group continued to experiment and expand their rock n’ soul sound with ambitious albums like 1. Along The Red Ledge (with David Foster as producer) and 1. X- Static. During that same period, Hall recorded and released on RCA his critically acclaimed first solo album Sacred Songs with experimental guitar innovator Robert Fripp. In 1. 98. 0, Hall & Oates’ released the Voices album which would prove a true watershed moment in their illustrious career. Producing themselves for the first time, Hall & Oates created the template for a brightly infectious but still soulful sound that would help them become one of the dominant group’s of the Eighties. Voices included the group’s second #1 on the Pop Singles chart, “Kiss On My List,” as well as significant hits in “You Make My Dreams” and a cover of the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling.” In addition, “Everytime You Go Away” from the Voices album became a #1 hit in America and around the world when later covered by British soul singer Paul Young in 1. Private Eyes album featured two more #1 hits, the title track and “I Can’t Go For That (No Can Do) ”and the Top Ten “Did It In A Minute.” This remarkable run continued with 1. H2. O and more smashes in the form of . Big Bam Boom continued the duo’s momentum with the help of another #1 hit, “Out Of Touch.” Having achieved so much together - - including appearing on the “We Are the World” recording session, at Live Aid and performing and recording at the Apollo Theater along with former Temptations David Ruffin and Eddie Kendrick - - Hall & Oates took a hiatus to focus on individual efforts in the mid- Eighties. Hall recorded and released his second solo effort, Three Hearts in the Happy Ending Machine, produced by his now long time friend, Dave Stewart of the Eurythmics. The album would produce another hit for Hall in “Dreamtime”. The pair would then reunited to record their final 2 albums for Arista Ooh Yeah and Change of Season. In the past decade, Hall & Oates have toured consistently and with considerable success around the world, and have continued to record both together and separately with impressive results including Hall’s third solo album, Soul Alone. Sensing the change in the business, they abandoned the major labels and released independently Hall’s fourth solo album, Can’t Stop Dreaming and the duo’s 1. Marigold Sky –– with both receiving considerable acclaim. Forming their own label, U- Watch Records, 2. Do It For Love rightly marked a major return to form with the album being embraced as the group’s finest in many years. It also had considerable commercial success with the passionate title track reaching #1 on the Billboard Adult Contemporary Charts, while “Forever For You” also hit the Top Ten on the same chart. Most recently, Hall & Oates saluted their deep soul roots with 2.
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